“Absence of Malick”

October 6, 2010

According to one of The Thin Red Line’s three editors, Billy Weber, Malick saw a full version of the film exactly once: a five-hour work print assembled during the 18-month-long post-production process, and screened for him under some duress. (“We forced him to watch,” Weber says in an interview.) Otherwise, Malick edited by watching one reel at a time, with the sound off, while listening to a Green Day CD.

The rest here.

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